ブライダル 求人 アルバイト 名古屋

結婚相談所「ファミーユ」で

幸せのお手伝いをしませんか?

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今回は常勤ではなく、副業としての感覚でお仕事をしていただける方を対象とします。


まずは「マリッジアドバイザー(結婚相談所アドバイザー、仲人)説明会」にお越しください。

結婚相談所のお仕事内容、考え方、理念などをまずは聞いていただき、お仕事したいか?をご判断ください。


■日時
・1月12日(土)
13:00 ~ 15:00

■場所
株式会社プリファ

2階研修室
住所:名古屋市中区新栄
1-12-26泰陽ビル2階

■持参物
筆記用具

■対象
結婚相談所のお手伝いをしたい女性

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■参加申込
事前にご連絡ください。
アルバイト ブライダル 愛知 名古屋

■お仕事までの流れ
説明会参加→面接→契約→ファミーユの名刺を持ち活動→月1回のミーティングに参加
※各スタッフさんに会員様の担当をお願いします


結婚相談所 ファミーユ

0120-96-3715
(みないいごえん)
info@prifa-inc.net


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Click the image above to view the full photogallery. Our correspondent has finally broached the gates of the Prada sample sale. "It's pretty orderly in here," she reports. Clothes are priced as marked, and there are fitting rooms. We don't expect the place to stay tidy for long, though. The...


Actually, the items mentioned taste pretty good. I ate worms, beetle larvae and python when I lived in Nigeria many years ago. People ate the worms, fried in oil, lightly sprinkled with salt, in the same way people here snack on potato chips. It took me a year to work up the nerve but when I finally did I began to eat them as regularly as everybody else. Beetle larvae were eaten raw or fried. They literally walked across the plate but, like the worms were delicious too. I ate python stew in my husband's village. After the snake was beheaded, skinned and eviscerated, it was cooked with palm oil, tomato, cayenne pepper, and a green veggie, called Bitter leaf. It was then, served over rice. The meat was succulent but, there was not enough of it - like eating a chicken back.

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MILAN - The Prada winter fashion show was pure entertainment from the real live actors modelling the clothes, to the huge red-carpeted runway set in the ballroom of an invented palazzo, to the eccentric and at times dramatic outfits.

Such Hollywood A-listers as Adrien Brody, Willem Dafoe, Gary Oldman, Tim Roth, Emile Hirsch and Jamie Bell walked the runway with a naturalness that confirmed their talent as perfect players in the Prada pageant.

Most of the actors wore the collection's staple overcoat, long, black and elegant with wire-rimmed sunglasses tucked like a handkerchief in the breast pocket.

Only Adrian Brody donned a double-breasted red overcoat with a black velvet collar and fur-trimmed lapel, and sported matching red-lensed, round sunglasses.

Overall Miuccia Prada's winter 2013 collection presented Sunday, the second day of the four-day Milan menswear preview showings, spoke of a man who likes to be both eccentric and mysterious, is quite sure of himself and at times a bit of a snob.

He wears brooches that look like medals on his jacket, prefers vests to sweaters and likes the arrogance of a high stiff collar on his white shirts. He's not embarrassed to wear underwear as outerwear and toss off his overcoat to reveal a pair of boxer shorts paired with a tuxedo shirt and gartered knee socks.

Somewhat of a dandy, he prefers his hair long, as is tempted by the eccentricity of a moustache.

Leave it to Miuccia, who every season proves to be the most creative of Italian designers, to put on a show where despite the thrill of Oscar-winning actors playing the part of models, the clothes still kept the leading role.




It's late at night and a friend takes out a small Prada pouch; in it - his collection of pharmaceuticals, he's got everything from Adderall to Xanax, throw in some Vicodin for good measure. I'm there with my best friend, it's a rainy day, we've rushed over, the meds have mixed and we're on the rescue. Making sure he's okay.

Last year, over the summer, I was with a friend in the park; we were joined by an acquaintance, who pulled out a backpack full of little boxes, clear and full of multi-color pills. This is the newest trend, bags of pharmaceuticals handed out like candy corn. I heard, through the grape-vine, that brings harrowing news, that he was discovered naked in bed, his heart given out.

I briefly dated someone, by briefly, I mean, we met ... had a drink. He was cute enough to drag home, make out and kiss, then he became too comfortable. Confessions poured out. He'd only had one drink, maybe two. He was on Lexparo, he gushed this quickly, the glazed look in his eye was striking and frightening, he rattled on about his latest suicide attempt with surprising ease. Needless to say there wasn't a second get together, I tried to kick him out - yet it was one hell of an effort. I should have known the look, the washed over smile that's both eerie, sometimes human, but mostly bland. Someone on an SSRI never seems to have a sparkle in their eye.

Last year (or was it two as well), in one of the most harrowing moments of my life, I crashed off Celexa, my shrink at the time, had referred me to a sort of ambivalent psychotherapist that took my money and gave me a prescription, after prescription. I discovered the calming effects of a small dose of Ativan at that time. He took out his pad, gave me pills and never followed up. Then one day my insurance ran out, because I was a waiter, and was instantly fired, because that's just what happens. Let me also note, that it's very uncommon for waiters in New York to have health insurance.

Crashing on Celexa was this mind numbing - altering concept, I wrote about it , a blow by blow of each sullen moment, as the drugs strong hold left me weak and listless, I understood first hand, how people could easily commit suicide when withdrawing if unsupervised. To this day, I get about one person a week, asking for help, reaching out in desperation because the drug hasn't worked or they're trying to quit.

Most just chose to comment and leave their story, take a moment to read them. This drug, even though it seems to mask depression, giving the illusion of normal so important in our culture, is nothing but a wrapping, a shroud for the mind, a mist of detachment. I liken it to a pink sheet wrapping my emotions, when the drug wore off, all at once - the torrents of happiness and sadness and those things that I've never been able to control well - came gushing. During withdrawal, it acted as a permeable membrane, allowing only sadness. How masterful these drug companies are.

Now scientists are developing Orexin A, that's supposed to cure the need for sleep. Originally developed for the military, there are net rumors that it will be available by prescription. I'm sure it'll be the next Adderall.

I'm sitting at my favorite bar, having my vodka soda, talking to my hot bartender crush. We're talking about the new hot nightlife trend, Adderall. At cocktail parties it's whispered about, it's a better high then coke and you're more in control. Someone is trying to convince someone to get it for them. Someone has it, there are rumors, it is wanted. The hot bartender is telling me he has a source, he winks. It's ever so mysterious. He tells me, he likes to take it, when he's cleaning his apartment, it's better for focus. I imagine him dusting in the buff and sigh. Someone else mentions, "it's great for weight loss, that's what all the skinny celebs are taking".

Most everyone I know is on a pill or trying to get one; everyone I know is trying to cure something. My friend, with the Prada pill bag, was trying to cure a broken heart. This most impossible promise, that everything will be fine if you just take a pill.

A few months ago, I went to my primary care physician. I confessed I was a bit bummed. He causally offers a prescription for Lexapro, tells me it's great. I cringe; try not to run out of the office screaming madly, I explained the hold it had on me. He smirked, "it couldn't have been that bad".

Rapidly, a pill will mask the symptoms of everything; we will forget who our natural selves are; as we pop big pharma like they're M&Ms. I'm happy I'm detoxing shortly, no booze, just tea. I've always been a watcher and observer, trying to balance the writerly need to experience and the compassionate need to listen to stories and understand.

Gawker has called us the creative classes. But I don't think pill-popping is confined to just the artsy types. Dash Snow comes to mind. But it's rampant in CEO culture, with the wealthy, with those that have access and want to try new things. After all, pills are expensive, so pill-popping is for the rich.

Our culture pushes us to try the newest latest shinny object, weather it be tech, clothing, accessory or drug. Then again, aren't they all sort of the same thing.

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As an investor, this interests me a lot. Amazon seems unstoppable. However, high fashion is tough. When I bought myself a Prada suit at Barneys for my birthday, I was surprised to find out that I wear a 36 Prada suit jacket (but I wear a 38/40 in Paul Smith and Zegna). Also, Barneys tailored the suit for me after I bought it.

Designer clothing is one of thing you can't really showroom, because fit is everything. Fit matters less in a pair of LL Bean jeans than it does in a Lanvin blazer or a Gucci shirt.

I stopped ordering designer clothing from Bluefly, because I could never get the fit right. However, I still order designer shoes from Bluefly, because a shoe size is a shoe size.

If Amazon can work out some sort of avatar-based virtual dressing room, it'll put department stores out of business. Barneys is already on the ropes. I love Barneys. I love Amazon too, but I never see any super models when I'm shopping at Amazon.

We know the ; but what would you do-woo-woo for a different kind of Ice Cream Sandwich, Android 4.0 perhaps?

While you can attempt all manner of feats to obtain a Klondike Bar, there's not much to get Google's Ice Cream Sandwich (the announced in October) if your own an older Android smartphone. Samsung's Galaxy Nexus smartphone was and comes pre-loaded with ICS; it remains with Ice Cream Sandwich, as owners of non-Galaxy Nexus and non-Nexus S phones await their updates.

So when can you expect Ice Cream Sandwich to be available on your Android phone? Below, we've rounded up the latest, manufacturer by manufacturer:

SONY

If you've got a Sony Xperia, Ice Cream Sandwich should be arriving at the end of March or beginning of April 2012. In , Martina Johansson of Sony Ericsson provides a timeline for the roll-out, writing that Sony's developers are busy "merging...current Xperia software with the new features in Android 4.0." The big update is due in a few months and will come first to the Xperia arc S, the Xperia neo V and the Xperia ray; these will be followed by the Xperia arc, the Xperia PLAY, the Xperia neo, the Xperia mini/mini pro, the Xperia pro and the Xperia active.

Basically, all your Xperia devices are going to get Ice Cream Sandwich eventually, ; there is no firm release date for the Tablet S as of yet, however.

By way of explanation for the wait, Johansson also lays out the process for integrating Android 4.0 with Sony's own software. Since many mobile manufacturers place their own skins or flavors on top of Android (think Motorola's MotoBlur or HTC's Sense), it takes some time to satisfactorily combine the two. These bullet points serve as a nice primer on the ICS delay for all manufacturers:

SAMSUNG

Samsung's Galaxy Nexus already has Ice Cream Sandwich, of course, and most Nexus S phones should have already received an over-the-air update. The status of Android 4.0 for other Samsung smartphones is less clear. Here's what we know, for now:

- Samsung Nexus S phones on December 16. If you own a Nexus S, you should be using an Ice Cream Sandwich device at this point.
- The Samsung Galaxy S II of 2012, as will the .
- The Samsung Galaxy S and Samsung Galaxy Tabs were both on track for Ice Cream Sandwich, until they weren't, until they were again, maybe. Basically, Samsung claimed that they would update the Galaxy S and Galaxy Tab to Android 4.0 and then announced that they would not, due to the limitations of the device's RAM and ROM to run both ICS and a bit of touch-interface software called TouchWiz simultaneously. Now, apparently bowing to consumer pressure, Samsung is re-examining ICS for the Galaxy S and Galaxy Tabs, .

UPDATE: As of January 3, Samsung said it will not introduce a full ICS upgrade for the Galaxy S smartphone.

LG

Ice Cream Sandwich updates to LG devices will start in Q2 2012 (that's some time between April and June) and will come in two phases.

1. In the first phase, the Optimus LTE, Prada Phone by LG 3.0, Optimus 2X, Optimus Sol, myTouch Q and Eclipse will all get ICS. This will begin in Q2 2012.
2. In the second phase, the Optimus 3D, Optimus Black, Optimus Big, Optimus Q2 and Optimus EX will be updated. That will start in Q3 2012, or some time between July and September 2012.

Missing from the list, : the LG Nitro HD, the G2X, the Thrill 4G, the DoublePlay, the G-Slate and the MyTouch.

MOTOROLA

There's not a boatload of Motorola ICS info -- especially on specific phones -- though the company, which Google recently agreed to acquire, is gearing up to push forward Google's newest mobile OS to its handsets.

- The Motorola Droid RAZR will get Ice Cream Sandwich in early 2012, .
- The Droid Bionic and all Xoom tablets will be upgraded to ICS eventually, .
- No updates on the Droid X or Droid 3, the Atrix 4G or the Photon 4G; Motorola says it is "planning on upgrading as many of [its] phones as possible."
- On specific devices, a post on the official Motorola website from December 7 had this to say about specific devices and ICS: "[O]ver the next month we will be determining which devices will get the upgrade and when -- and we will communicate this as information becomes available." It's been about twenty days since that pronouncement; look for additional details and decisions about individual Motorola phones and Ice Cream Sandwich, then, within the next two weeks.

HTC

Finally, we come to HTC, maker of several well-selling Android handsets, including the popular HTC Evo. is all we've heard:

Ice Cream Sandwich is coming in early 2012 to a variety of devices including the HTC Sensation, HTC Sensation XL and HTC Sensation XE, as well as the HTC Rezound*, HTC EVO 3D, HTC EVO Design 4G* and HTC Amaze 4G* through close integration with our carrier partners.

We also got a glimpse of what is supposedly one of HTC's first Ice Cream Sandwich phones, the HTC Ville, . BGR says the Ville is set to launch in April.

-----

And that's almost everything we know on the mobile Ice Cream Sandwich front! Developing and testing a new Android operating system can clearly be a difficult and lengthy process for the manufacturers, so all of this is subject to change and could become irrelevant overnight. In the meantime, we'll keep you updated on all the latest major developments in the Android 4.0 world as the news breaks.

Also on HuffPost:




The is definitely a time to experiment with fashion, but model Anja Rubik took experimenting to a whole new level on Monday night.

Rubik, who showed up on the arm of designer Anthony Vaccarello, was also wearing one of his creations: a cream-colored satiny dress with gaping holes in the, uh, chest and lower abdomen areas. Not only was Anja doing our favorite meme, , but when we saw her in person on the red carpet, we were afraid more than just her leg was going to pop out.

It's not like Anja's afraid to show her body -- she posed for the . But, first , and now Anja... is there about to be a whole new trend? Are hipbones the new cleavage?

And ... there's no way she's wearing underwear with that, right? Just sayin'.

Check out Anja's dress below and weigh in: is her look a fashion home run?

Click below to see the rest of the!





When we watched dance her fashionable butt off in a new music video for H&M, we started thinking about how much we love when models and editors shake it for the camera.

with Anja Rubik to celebrate the relaunch of Vogue Paris' website, Raquel Zimmermann has and it's no secret that

Take a look at the fashion videos below and let us know which is your favorite?

Want more? Be sure to check out Stylelist on , , and .


Coco Chanel and Anna Wintour both managed to become living incarnations of that 20th-century obsession (that we now take entirely for granted),...

If we were asked to assemble our dream dinner party, our fantasy guests would likely include Anna Wintour, Sarah Jessica Parker and Michelle Obama.

The crazy thing is, it's actually happening. As you might have heard, in New York on June 14 -- and as it turns out, our favorite Vogue editor-in-chief will be in attendance as well.

The good news? There are invites up for grabs for . The bad news? Anna Wintour is making the whole thing sound very, very intimidating in

The clip, released by the Obama 2012 campaign today, was filmed right in Anna's famously cavernous office for maximum scare-factor. And despite wearing a cheery scarf around her neck, Anna keeps her voice clipped and cool and offers nary a smile.

Geez, as if meeting SJP, FLOTUS, POTUS and Anna wasn't already nerve-wracking enough.

Would you dare to dine with Anna? Check out the video above. If you'd rather embrace Anna and Obama from afar, you can pick up some (see the pics below!)

And if you're more of a Romney fan... well, . Seriously.



"Sporty" is rarely a word we associate with . But and the woman turns into a expletive-spewing, beer drinking, foam finger-wearing sports maniac!

Well, sort of. Wintour, an avid tenis fan, engaged in some moderate cheering and even cracked a smile at Wimbledon 2012 this weekend, which she attended with partner John Shelby Bryan. The editrix watched from the Royal Box (you know, ) and socialized with Important People including Miroslava Vavrinec, Roger Federer's wife. (Anna's a big Federer fan, .)

So what does the ruler of the fashion world wear to a tennis match? Prada, of course. We stand corrected: it was Marc Jacobs!

Check out Anna going (moderately) wild for her favorite sport.

PHOTOS:

Want more? Be sure to check out HuffPost Style on , , and .



Radar:

Although head Vogue-ette Anna Wintour has previously made light of her ex-assistant Lauren Weisberger’s best-selling roman a clef, we hear the Devil may care after all. Sources say Wintour has been doing everything in her power to ensure the film version of The Devil Wears Prada fizzles—even threatening to blacklist some of the fashion world’s biggest names if they agree to do cameos.

When Wintour got wind that producers had been recruiting major designers for walk-on roles, sources close to the film say she unleashed a flurry of phone calls intimating to the aspiring thespians that they’d be persona non grata in the pages of her high-end glossy if they participated.



Hey, remember that time when ?

Yes, it really happened. On Wednesday night, the Vogue editor-in-chief found herself in Colbert's unflatteringly lit, garishly decorated studio (so very un-Vogue), sitting for an interview for an episode of

And of course, because Anna is made of pure magic and genius and all things cunning and clever, her "Colbert" performance was actually quite charming. Despite Colbert's protestations -- "Don't suck me into your gay world!" -- Anna managed to get Stephen smiling... and knocked him down a few pegs.

Colbert was all, "I don't really trust Prada, because my understanding is the devil wears Prada. And this is a Christian nation, madame!" And Anna was all, "That movie was so last year. Really, we've gone way beyond that movie." Stephen, you just got served.

Not one to be deterred, Colbert also made sure to ask the burning question we've all been dying to ask Anna:

"Is there ever a time you can not care about fashion? Do you ever just say to yourself, 'Today, to hell with this!' put on your zebra-striped sweatpants and go to Long John Silvers and just lose yourself in a pile of batter fried shrimp?"

See how Anna responded (as well as her thoughts on ) in the clip above.




is rumoured to be pregnant with her first child.

The 29-year-old Devil Wears Prada actress and her fiance Adam Schulman reportedly arranged a dinner in New York on Thursday night to announce the happy news to family and close friends.

A source told RadarOnline.com:

The party celebrated into the wee small hours at the Picholine restaurant on Manhattan's Upper West Side and, according to the source, the actress was said to have a visible baby bump.

they said.

The couple - who have been together since 2008 and engaged since November last year - have yet to set a date for their wedding.

Meanwhile, has revealed how much fun she had playing Catwoman in the forthcoming Batman film, The Dark Knight Rises.

She told The Daily Record:

> IN PICS: PREGNANT CELEBS

Also on HuffPost:



SAN JOSE, Calif. — An attorney for Apple told a jury Tuesday that bitter rival Samsung faced two options to compete in the booming cellphone market after Steve Jobs introduced the iPhone to critical acclaim in 2007: Innovate or copy.

Samsung chose to copy, making its smartphones and computer tablets illegal knockoffs of Apple's popular products, attorney Harold McElhinny claimed.

Samsung "has copied the entire design and user experience" of Apple's iPhone and iPad, McElhinny told a jury during his opening statement at the patent trial involving the world's two largest makers of cellphones.

In his opening statement, Samsung attorney Charles Verhoeven countered that the South Korean company employs thousands of designers and spends billions of dollars on research and development to create new products.

"Samsung is not some copyist, some Johnny-come-lately doing knockoffs," he said.

Verhoeven asserted that Apple is like many other companies that use similar technology and designs to satisfy consumer demands for phones and other devices that play music and movies and take photographs.

For example, he said several other companies and inventors have filed patent applications for the rounded, rectangular shape associated with Apple products.

"Everyone is out there with that basic form factor," Verhoeven said. "There is nothing wrong with looking at what your competitors do and being inspired by them."

A verdict in Apple's favor could lead to banishment of Samsung's Galaxy products from the U.S. market, said Mark A. Lemley, a professor and director of the Stanford Program in Law, Science, and Technology.

A verdict in Samsung's favor, especially if it prevails on its demands that Apple pay its asking price for certain transmission technology, could lead to higher-priced Apple products.

The witness lists of both sides are long on experts, engineers and designers and short on familiar names. Apple CEO Tim Cook is not scheduled to testify.

On Tuesday afternoon, Apple designer Christopher Stringer wrapped up the first day of testimony discussing his role in helping create the company's iPhone and iPod during his 17 years at the company.

Dressed in a tan suit, the bearded and long haired designer said because of Apple's desire to create original products, he and his co-workers surmounted numerous engineering problems such as working with the products' glass faces in producing both products over a number of years. Stringer said he was upset when he saw Samsung's Galaxy products enter the market.

"We've been ripped off, it's plain to see," Stringer said. "It's offensive."

Trial resumes Friday with the testimony of Apple senior vice president for marketing Philip Schiller.

Cupertino-based Apple Inc. filed its lawsuit against Samsung Electronics Co. last year and is demanding $2.5 billion in damages, an award that would dwarf the largest patent-related verdict to date.

The case marks the latest skirmish between the two companies over product designs. A similar trial began last week, and the two companies have been fighting in other courts in the United Kingdom and Germany.

In the patent case, U.S. District Judge Lucy Koh last month ordered Samsung to pull its Galaxy 10.1 computer tablet from the U.S. market pending the outcome of the patent trial. However, she barred Apple attorneys from telling jurors about the ban.

Apple lawyers argue there is almost no difference between Samsung products and its own, and that the South Korean company's internal documents show it copied Apple's iconic designs and its interface.

Samsung counter-claims that Apple copied its iPhone from Sony. In addition, Samsung alleges Apple is using some of Samsung's own inventions without payment, such as a computer chip at the heart of the iPhone.

Samsung lawyers also stressed the company has been developing mobile phones since 1991, long before Apple jumped into the market in 2007.

Also at issue at the trial are some of the most basic functions of today's smartphones and computer tablets, including scrolling with one finger and zooming with a finger tap.

Tuesday morning's proceedings began with a bit of drama.

First, a juror pleaded with the judge to be released from the trial, saying she suffered a panic attack and spent a sleepless night after belatedly discovering that her employer would not pay her salary while she served. A sympathetic judge granted her request and left the jury with nine members.

Then the judge rebuked John Quinn, one of Samsung's attorneys, for refusing to stop a line of legal argument the judge said she had ruled on numerous times.

"Mr. Quinn, don't make me sanction you," the judge said as the lawyer continued his argument. "Please. Please. Please, take a seat."

Quinn relented and sat down, but his tenacity underscored the high stakes of the trial that is costing both sides millions of dollars in legal fees and expenses. Battalions of lawyers from prestigious law firms are working overtime to file myriad court documents.

The most senior lawyers on each side charge upward of $500 an hour for their representation

Legal experts said that most patent disputes are resolved way before trials that can bring unpredictable and ruinous verdicts.

"A patent case of this magnitude has the possibility of impacting phone technology for years to come," said Manotti Jenkins, a patent attorney with no stake in the trial. "Given the substantial revenue that is generated by smartphone technology, companies are likely to prompt more litigation of this type and continue to use the courts as an attempt to protect and expand market share."



Like most normal people everywhere, we adore Miranda Priestly -- so ruthless but with a heart of gold! Anne Hathaway -- so bumblingly green but then wins in the end! The clothes -- so chic!

Well, at least they were chic six years ago in 2006, when the lovable flick was first released and we first rooted for Andy Sachs to survive at Runway in all of her argyle skirting and earnest ambition. The most iconic okay, the best scene in the movie is the montage set to Madonna's "Vogue" of Hathaway morphing from frumpy duckling to Chanel-feathered swan with a little help from Runway's sample closet.

But we recently watched the movie again at a girls' night, and as we quoted most of the movie's lines back verbatim, we kept analyzing the film's fashion. In six short years, what hath time and trends wrought of all those statement necklaces?

Of course, trends from 2006 haven't quite yet garnered the LOL-ness we usually reserve for looks from 20 years ago. (We can't wait to see what people think of ombre hair in 2032.) We suspect the tweed newsboy caps aren't gracing too many heads these days, but some of the movie's style -- red lips, blunt bangs -- seems here to stay.

We can't decide on our own, so check out the slideshow below (and watch the Vogue scene!) and tell us which looks you think are still trendy in the comments.

PHOTOS:



The Wall Street Journal:

Pope Benedict XVI is appealing to a new group of admirers: marketers seeking not blessings but pontifical product placements.

Since his election last year, the pope has been spotted wearing Serengeti-branded sunglasses and brown walking shoes donated by Geox. He owns a specially engraved white Apple iPod, and he recently stirred much publicity with a pair of stylish red loafers that may or may not be from Prada.




wwd.com:

Stylists like Rachel Zoe, Arianne Phillips and Nancy Steiner are used to earning top dollar to make celebrities look camera-ready. But recently they had the tables turned on them, posing for painter Kimberly Brooks as part of her new series "The Stylist Project." And much like her aesthetically attuned subjects, Brooks took a highly detailed approach in rendering their likeness.


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I had my very own Carrie Bradshaw moment this week: I bagged a Balenciaga for 25 quid! The Shrug - oh yes, handbags this posh have their very own names - nestled on my arm as I dashed between meetings. It whispered sweet nothings as we sailed around the supermarket and even brought glamour to a sweaty, crowded bus journey. Standing room only? An armpit shoved in my face? With The Shrug by my side I could rise above it all.

Needless to say, our love affair didn't last. After discovering that designer bag rental is the latest credit-crunch way to remain on-trend, I hired The Shrug for a week to add some oomph to my outfit at a very posh function. Just like Cinderella, however, my bag was on the clock. As midnight chimed we scuttled home, then tearfully parted company next morning, when I lovingly wrapped The Shrug inside The Jiffy and posted it back to its rightful owner.

Still, my few days with the Balenciaga reminded me that, in these cash-strapped times, it's more important than ever to find short-cuts for living the high life. After all, just because the economy has nosedived, we don't want to, do we? Sure, our budgets might be getting tighter than our skinny jeans, but that doesn't mean we're ready to stop having fun. Recession or not, we still want a home that looks great, a wardrobe to rival Carrie Bradshaw's and enough left over to enjoy a special dinner at the end of a hard week. Not easy on a credit-crunch salary, but I'm on a mission to prove that it's possible to find ways to wear Prada on a Primark budget.

Every week in Skint in the City I'll be sharing my efforts to live like a million dollars on a less-than-wonderful wage. From feathering my nest for free to grabbing the luxe look for less, I'll bring you a warts-and-all account of my adventures in riding out the recession with style and passing along all the tips I learn along the way, such as where to ferret out the best spa deals and how to cut corners when it comes to entertaining friends.

Having spent years living on a titchy salary in some of the world's most expensive places, including Barcelona and St Tropez, I've learned plenty of tips from my continental sisters; such as how to buy Pucci and enjoy supper at the must-go restaurants while living on the slimmest of budgets. I've learned to decorate apartments on a shoestring in some of Europe's property hotspots, but it's not been plain sailing. Just recently, for example, I fell in love with the tobacco-coloured walls of a Parisian bistro and set about trying to recreate them at home. The result? Let's say it was more Scunthorpe Working Men's Club circa 1952 than a 1930s bistro by the Seine.

Still, now that I'm happily settled back in Glasgow, my quest to bag the high life on a shoestring budget continues. Week by week, I'll be road testing ways to live like a million dollars on a credit-crunch wage and finding out how to cut corners without anyone noticing - and I want to spread the news.

This week's been a busy one. As well as renting The Shrug for a fraction of its retail price I also arranged a house-swapping holiday. Yep, I've just agreed to hand over my home to a total stranger and her family, in return for using her place in Malaga over Christmas. Free accommodation and all we pay is the flights. Barmy or brilliant? Time will tell. Her house comes with a pool, so swapping Glasgow's southside for southern Spain seems like a no-brainer - on paper at least.

In preparation I'm now packing away all the things that are too good / embarrassing / shabby to share with my guests, and cleaning the house like it's never been cleaned before. The thing is: can I trust my fellow-swappers not to trash the place? In my quest to save a few quid, have I gone too far? My guests have assured me that they're very laidback, but some of their recent questions are making me wonder. I'll let you know how it goes.

You can read more tips for living stylishly on a budget at .

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NEW YORK — Lauren Weisberger has made another deal with the devil.

Simon & Schuster announced Thursday that the author of "The Devil Wears Prada" has a sequel planned for next April.

"Revenge Wears Prada: The Devil Returns" continues the adventures of former magazine assistant Andrea "Andy" Sachs, now a bridal magazine editor, and the imperious boss she thought she had escaped, Miranda Priestly.

Published in 2003, "The Devil Wears Prada" was adapted into a hit film of the same name starring Meryl Streep as Miranda and Anne Hathaway as Andy.

Weisberger is a former assistant at Vogue and Miranda is widely considered a fictionalized version of editor-in-chief Anna Wintour.



By Linda Rosenkrantz for

Want to give your baby a name that truly telegraphs a sense of style? One way is by going directly to the world of high fashion: representing several different cultures, the names of many 20th/21st century fashion design icons prove to be exceptionally distinctive, diverse, creative and inspirational. Here are the Nameberry picks for best :

Community Notice:We've made some changes to our badge program, including the addition
of our newest badge: Community Curator.From big, bouffant hair at Prada to smoky "rock chick" eyes at Pucci and Cavalli, take a look below for the lowdown on the biggest trends to emerge from Milan Fashion Week.Click here to leave a comment.HuffPost High School welcomes a lively, thoughtful debate in the comment section. Keep in mind that the articles here are penned by young authors, so please keep criticism respectful, and help us to keep this a safe and supportive place for writers of all ages to contribute.

History was made in dramatic style on Sunday as Ben Ainslie won his fourth consecutive gold medal, making him the most decorated Olympic sailor of all time.

Huge crowds came to watch the talented 35-year-old as he battled the choppy seas in his Finn dinghy named "Rita".

Ainslie has beaten the current record held by great Dane Paul Elvstrom who won four golds between 1948 and 1960.

Together with the silver medal he won in 1996, Ainslie now has an incredible five Olympic medals in five consecutive Games.

Danish Sailor Jonas Hogh-Christensen gave the Brit a run for his money but Ainslie managed to finish in the top spot.

Speaking after the race he described himself as "speechless" and made a special mention to Hogh-Christensen's performance.

However, when asked if he'd be sailing again in the 2016 Olympic Games, he replied "never say never, but I'd be surprised if you see me in Rio".

Earlier in the day British hearts were broken on the water as Sweden denied Iain Percy and Andrew Simpson gold in the Star class.

The defending Olympic champions sailed exceptionally throughout the week and came into the medal race with an eight-point lead over Brazil's Robert Scheidt and Bruno Prada.

However, it was Sweden, not Brazil, that proved Percy and Simpson's undoing as the Brits lost their crown to Fredrik Loof and Max Salminen.

The British pair came into the medal race with a comfortable lead, knowing fourth place or better would guarantee them gold.

They also needed to finish sixth or higher should third-place Sweden win the medal race, which, unfortunately for Percy and Simpson, they did.

Britain entered the final leg of the race in sixth but slipped away in the last 100 metres to finish eighth, handing Loof and Salminen gold on the Nothe Course.

Percy and Simpson had begun the race strongly and rounded the first mark in fifth, with main pre-race rivals Scheidt and Prada eighth.

The Brazilian pair moved up to fifth at the second mark, but Percy and Simpson remained in front and crossed the mark four seconds ahead.

The Brits were having to hold their nerve to keep Scheidt and Prada at bay, but opened up a three-place gap with a marvellous turn at the third mark. Sweden rounded the fourth mark in the lead and Great Britain in fifth, while Scheidt and Prada were ninth of the 10-boat fleet.

Percy and Simpson's attention soon turned to Sweden instead, who threatened their gold medal position.

The Brits needed to finish sixth or higher if Loof and Salminen won the medal race, but suffered on the final downwind as they went from as high as fourth to finish eighth overall to mean ended up with silver.



Justifying a massive shoe collection may just be the central conflict between women and men, but now it's become a major issue in one woman's public divorce.

that , a professional poker player and self-proclaimed "," is being sued by her ex-husband for failing to report during their divorce proceedings. Beth's shoe collection includes around 700 pairs of Louboutins and it's even been featured on an episode of MTV's Cribs. (Related: Does anybody else remember when Beth Shak was on ?)

The shoe connoisseur's ex-husband Daniel Shak claims he never knew about all of these pricey heels and that Now we're sure their Fifth Avenue pad was a decent size, but we can't help but wonder how 1,200 pairs of shoes can be hidden in any New York City apartment? And isn't it just so typical of a guy to be completely oblivious to a woman's amazing shoes? Beth told the New York Post:

I’m shaking my head over this whole thing. He is saying he didn’t know the closet in our master bedroom existed.

Beth doesn't seem to be too shy about her stockpile, last year. Apparently, it took a national television segment to get her ex-husband's attention, because he now claims that he's entitled to 35% of her estimated $1 million shoe assortment.

for more information and tell us what you think in the comments below.

Check out Beth Shak's massive shoe collection!

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The came and went, with dozens of stars walking the treacherous Metropolitan Museum steps. But after two hours of the step-and-repeat routine, was nowhere to be seen.

We waited and waited, for at least 30 minutes. Maybe Blue Ivy couldn't get a sitter? Maybe she and Jay-Z were simply watching the livestream from their Tribeca pad?

But of course, in Beyonce came, accompanied up the stairs by none other than Andre Leon Talley. And the dress was worth the wait: a dramatic black lace Givenchy confection, almost completely sheer from top to bottom. Seriously, you could see the outline of Bey's entire lower body. Did Tina Knowles have a say in this?

It was a much racier, more complicated look than we were expecting -- and we can't decide how we feel about it. Check Beyonce's dramatic entrance. Do you love this look?


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Celebrity minions really do get all the best jobs don't they? Just who doesn't want to be Beyonce's professional tail feather fluffer?

As Bey made her red carpet return at last night's impossibly glamorous Schiaparelli And Prada: Impossible Conversations Costume Institute Gala (aka the Met Gala), her first outing since giving birth, she needed a little help showing off her, errm, understated gown.

The dress, made by Givenchy couture, was embellished with hundreds of crystals and featured a huge feather train.

Let's hope she wasn't moulting all over that red carpet.

> IN PICS: THE MET GALA 2012 RED CARPET

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The 2012 Met Gala red carpet was dazzling per usual, with style showstoppers like Rihanna, Rachel Roy, Paula Patton and Solange Knowles killing the red carpet with their fabulousity.

But it would be Solange's big sister aka Sasha Fierce aka Queen Bey akathat would steal the show...Beyonce!

Can we just reflect on the fact that on January 7, 2012 the mega star gave birth to beautiful baby and on May 7, 2012 she stepped out in a gorgeous sheer gown?

Sure, she has a team of people helping her get back to bootylicious form for her --but bravo all the same.

The ultra see-through black lace Givenchy design was a little bit Las Vegas showgirl and whole lot of fabulous! Super sexy yet still sophisticated.

The 30-year-old "Love On Top" singer was escorted down the massive red carpet by none other then our favorite Vogue editor-turned-reality show star Andre Leon Talley.

Beyonce is hands down the best-dressed star in our eyes. What do you think?

Check out Queen Bey's amazing ensemble and ALL of the looks from the star-studded event in the slideshow below...





Beyonce has given fans a sneak peek at her next music video for her single I Was Here, filmed in the General Assembly Hall of the United Nations, with some stunning photos of her performing on stage.

The video will debut on World Humanitarian Day, 19 August, to shine a spotlight on humanitarian work and encourage people around the world to get involved by doing something good for others.

Earlier this week the Crazy In Love singer met with Secretary General Ban Ki-moon inside the UN General Assembly Hall in New York City, where they discussed the new campaign.


Beyonce posted this photo of herself with Secretary General Ban Ki-moon on her Facebook page

She is 'donating' the video to campaign bosses in a bid to encourage one billion people around the world to get active in their communities.

SLIDESHOW: Beyonce performs for the first time since giving birth...



As every student is made well aware of on a daily basis, internships and work experience places are proving increasingly crucial to opening doors and opportunities in later life and with 50,000 more graduates than in 2007, competition is fiercer than ever. With one in three entry-level jobs being taken by graduates who have already carried out work experience placements and internships at that particular company, it is clear that it's time to start climbing the arduous ladder.

I do however question whether companies offer these ludicrously sought after placements to ardent employees simply in return for slave labour with no further prospects or whether work experience provides an insight into the 'wonderful world of work.' Besides, many people maintain the view that the best intern and work experience opportunities in fields like politics, finance and the media are going disproportionately to those who are already privileged and well connected.

As I am sure you have guessed from me writing this feature, I want to enter the viscously competitive world of journalism and the media and anyone in my position knows the work experience application drill. One must dedicate at least four hours to sending out 'generic' and overly zealous covering letters to every newspaper and magazine under the sun. It is also crucial to ensure that you have appropriately edited the name of the company in each mail (an embarrassing error made by one of my friends when writing to Elle magazine explaining how she would 'love to undertake work experience for Cosmo'; pretty awkward.) Then, one must await their fate. Subsequently, an incoming email immediately lights up but after four years in 'the work experience game' I am never naïve enough to get my hopes up. This is outcome number one, one which I have come to refer to as 'why did you even bother?' and usually comes from a prestigious magazine like Vogue informing you that your meticulous effort of an email has 'bounced' because the recipient's inbox is full. That is, 'full' of thousands of pitiful, neglected emails just like yours for spaces that have already been filled by journalist's brother's-girlfriend's-17 year old-sister who have no clue what they want to do in life but are quite fond of the idea of sitting at a desk and gossiping about celebrities in their school half-term. If your email doesn't 'bounce' then you may be confronted with outcome number two: a reply informing you that your recipient is 'out of office and will reply to you upon their return' (cue a slight lift in your hopes) '...but if you are emailing regarding work experience, there are no available placements until the year 3000.' Great.

I have, however, occasionally been lucky enough to experience outcome number three: an offer of a weeks work experience which literally feels like Christmas and your birthday all at once until you realise that after spending thousands of pounds on a degree you are jumping for joy at the prospect of working for free; weird. This week can evolve into one of two situations. Either five days of pure boredom in an office full of 50-somethings who perceive you as nothing more than an inconvenient good-for-nothing hopeful whose only purpose is clearing out old newspapers or making tea. You then proceed to stare at a computer screen until your eyes psychically ache, read the most obscure news articles about flying cats and use the spare time 'constructively' to delete over 1,000 junk emails whilst pondering all the people you could stalk on facebook if only you weren't surrounded by prying eyes. Or, your week could evolve into an extremely worthwhile and enjoyable experience with people who are genuinely grateful of your free labour and sincere interest in your chosen field. I was lucky enough to experience this warm and welcoming reception at Now magazine. The office was super-swanky with a grand reception hall adorned with marble floors serving as the perfect catwalk for the 30-something's in their Louboutin court shoes armed with Blackberry in one had and skinny latte in the other. Celebutante gossip flew around the office all day long and luckily I was seated near the editor listening in for all the latest on Chez and Ash's relationship whilst nonchalantly carrying out my assigned research on the potentially more controversial and far more cerebral papal visit. My week culminated in an interview with Drew Barrymore and Justin Long followed by 'question time', better known in the media world as shameless stalking and a firing of questions at The Saturdays. Upon my departure I wrote a standard thank you card with a cheeky 'I hope to see you again soon' line and on I went, only to be replaced by another hopeful intern a week later. The whole week was uncannily similar to a scene from 'The Devil Wears Prada' and the yummy mummies always arrived late to the office, but made up for it by leaving even earlier. This was the moment when I decided that I most definitely wanted to write slander about tinsel-town and get paid for doing it.

In today's incredibly competitive labour market, work experience matters more than ever when it comes to securing that first climb up the networking ladder and it really is crucial to get your hands on some even if it means making tea for snooty old men.

One crucial thing I have learnt from work experience is that when/more to the point IF I land a journalism job, I will spare a thought for the bright-eyed, over dressed young faces in my office plonked next to the photocopier with fear and confusion in their eyes. Been there, done that, time to do it all again, for free.

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Are we at the dawning of the Asian model? Are Liu Wen and Shu Pei on their way to Naomi Campbell or Kate Moss's iconic status? Judging from the kind of work the two models are getting, it seems that fashion has found new leading ladies in these Chinese beauties.

Wen is the first Asian face of cosmetics giant Estee Lauder. She also appears in the new Gap ads. Pei, while being the face of Maybelline, also appears in almost every leading magazine this month as the face of Vera Wang. They joined Du Juan as China's best-known model exports.

For its December 2010 issue, U.S. Vogue had a spread featuring eight Asian models, namely, Juan, Tao Okamoto, Lee Hyun, Hyoni Kang, Liu Wen, Bonnie Chen, So Young Kang, and Lily Zhi. It was a move that was, like most things in fashion, met with applause and criticism. There were those who approved of Anna Wintour's effort to be inclusionary in the pages of her magazine, which is almost always completely white-washed, and there were those who viewed the gesture as an act of tokenism, a way to appease those who clamor for diversity. Vogue has featured Asian models in every issue since.

For his spring couture show for Givenchy, Riccardo Tisci, one up majority of the fashion designers by having an all-Asian lineup. Before Tisci, this move was unheard in the international fashion arena where Asian models were limited to one or two at most shows, with the exception of Prada, which had not cast an Asian model for its runway show until recently. Prada is a late adapter when it comes to diversity. It had its first black model only a couple of years ago, in 2008 to be exact, after decades of runway shows.

Asian male models too are on the rise. Louis Vuitton cast its very first Asian model Godfrey Gao for its spring campaigns, following similar castings from Prada, Ermenegildo Zegna and Giorgio Armani. In fact, before everyone jumped on the Asian bandwagon, Giorgio Armani was one of the firsts, if not the first, big-name contemporary designer to appoint an Asian model as the star of his ads. In 2008, Japanese-Chinese actor Takeshi Kaneshiro fronted the Emporio Armani campaigns. Louis Vuitton, Prada, Zegna and Armani all have significant presence in Asia and consider China one of their biggest markets worldwide.

It's hard not to take notice of the Asian fever that's gripping the market. All that's missing is a Vogue Italia All Asian issue similar to their best-selling Black Issue. Is Franca Sozzani working on one?

There have been models of Asian descent in the past. Perhaps the most popular is Filipina Anna Bayle who has been dubbed the first Asian supermodel. Of course, the incomparable China Machado ranks up there too. There's also Tina Chow and Devon Aoki. But never has there been such a resounding Asian force in the international fashion scene as there is now, which begs the questions: Are brands signing up Asian faces to gain a better hold of the growing Chinese consumer market? Is this their way of relating to their new consumers who lapped up luxury goods on a daily basis?

If so, how come Louis Vuitton decided to have Caucasian models in its seemingly 1920s Shanghai-inspired ad campaign for its women's clothes and not three of the eight models Wintour chose to feature in her magazine? Or is Louis Vuitton still banking on Asia's colonial mentality and Asians' aspiration for white skin and blond hair to sell its cheongsam heavy and panda printed collection? Who would sell more Louis Vuitton cheongsams? Wen and Pei or the Mandarin collar garbed trifecta of white models (Freja Beha Erichsen, Kristen McMenamy and Raquel Zimmermann) in Louis Vuitton's campaign?

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Nicola Formichetti is on an Asian tour. A couple of weeks ago, I met him in Hong Kong for his pop-up Nicopanda store. During my one-on-one with him, he revealed to me that he was going to Bali for a quick break right after the store event. On Twitter, he took his followers on holiday with him via the photographs he tweeted of Bali's sights and beaches. Today, he was in Singapore for the week-long fashion festivities in the city.

First on his agenda was a sit-down conversation with British fashion journalist Colin McDowell, who has been a strong supporter of Singapore's fashion scene. The conversation is part of a series of talks and workshops for the Asia Fashion Summit. Tomorrow, he will show Mugler's fall 2012 collection, which he said he has tweaked for Singapore's Audi Fashion Festival.

Below are the highlights from the McDowell-Formichetti conversation:

On his fashion education...
I did not study fashion. I moved to London and I lied to my mom and told her I wanted to study architecture. I stayed at the university for one week and I went clubbing for the next three years. I don't recommend that to anyone.

On breaking into the fashion industry...
I started working in a cutting-edge store in SoHo in London and that's where I met everyone. Working in a store and being a shop assistant, if you don't know what to do and you like fashion, I think it's a great way of getting into the business because you do windows, cleaning, and everything. That was my school for two years, working in a shop and that's how I met people in magazines and designers.

On being half-Asian...
I am 34 years-old, but I look younger because I am half-Asian.

On the impact of social media...
I love the whole digital world we are going to. I loved when the bloggers were sitting front row and typing and the editors were, "Argh"... I loved it. I loved the fact that we are all on the same level now. So you have to be good at what you do.

On Twitter's reaction to his work...
It's like your friends telling you if they like something you did. It's so fast. I get to talk to so many people through social media.

On meeting and working with Lady Gaga...
I was listening to her music three or four years ago. She was known, but not famous. I saw her in an outfit that looked like she copied it on Style.com. I wanted to do a shoot with her but many magazines declined. V magazine agreed, but nobody wanted to lend me clothes because she wasn't cool. Too vulgar. People were really quite against her. Very few were supportive like Alexander McQueen and Prada. Prada always says she likes bad taste. Now that I think about it, maybe she likes Lady Gaga because she likes bad taste.

Gaga made my creations alive. That was very exciting for me. It was like my creation had a voice.

On working at Mugler...
Creative director sounds amazing but I am just a collaborator. I just have a great team, a great atelier. And I just sort of help them out (laughs...), I do more than that.
I got the call two years ago and I declined at the very beginning. Thierry Mugler was my absolute favorite and I didn't want to insult him. I was very scared. Gaga convinced me to call them back.

On building a brand...
It has to be pure and has to come from you. If you think about money too much at the very beginning that's not a good way to start. We creative people should focus more on creative and money will just come.

On suffering for his craft...
I always go in as if it's the first time, as if I am 18 and living in SoHo. I don't suffer.

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Over the past few months, college presidents from across the country have founded a unique literary genre. Writing separate but nearly identical letters to their respective communities, countless presidents have hailed the virtues of a liberal arts education and the inherent strength of their institutions. They have lauded their resilience and their hope for the future. And then, mixed in there somewhere, they slip in another little detail: "We're out of money."

One cliché employed by all of these presidents is that the ivory tower is not immune to the economic recession. Indeed, colleges and universities--private and public, large and small--have quite a bit to worry about these days. With the declining markets, they are seeing higher costs of borrowing, an impact on the size and quantity of donations, and sinking endowment revenue. Revenue from endowments often account for a sizable chunk of operating budgets, often covering about one-third of annual expenses. Many colleges and universities have set records in the last couple decades for generating unprecedented returns from an asset-allocation mix that looks very different from what most individuals typically maintain. Many of the wealthiest institutions tend to be light on blue chip stocks and treasury securities, and heavy on illiquid assets, such as private-equity, hedge funds and real estate and commodity holdings. This means that returns are heavily correlated with market performance; when times are good, their endowments swell. But nowadays, not so much.

Colleges who promise need-based financial aid will also see unpredictable rises in spending as individual families find it increasingly difficult to pay steep tuitions. Compound all of this with the escalating costs of energy--the energy required to heat countless dormitories and academic buildings through a cold winter--and you begin to see a bleak future for America's colleges and universities.

In some ways, the financial crisis is more difficult for these non-profit educational institutions than for businesses. Colleges are held to higher moral standards than businesses--perhaps rightfully so. Students and faculty are hesitant to apply corporate models to their beloved institutions. Many view universities as havens from the world of fiscal concerns, where the life of the mind and the lives of students are protected above all else. They are even more uncomfortable with the traditional corporate solutions to balance budgets: increase prices, cut programs and layoff workers.

College administrators are thus faced with some difficult decisions. Even Harvard University, with an endowment greater than the GDP of some small countries, is facing the largest budget shortfall in its 372-year history. Harvard College will have to trim its 2009-10 operating budget significantly, to the tune of $100 million, freezing salaries and postponing searches for most tenure-track faculty.

Similar concerns exist at smaller liberal arts schools. At Vassar College, I am Editor-in-Chief of The Miscellany News, the campus newspaper since 1866 (). Vassar has lost about $250 million from its endowment over the past few months, and like many comparable institutions (Amherst, Williams, and Wesleyan) it will need to trim next year's operating budget accordingly.

This is the difficult part.

Conversations about budget cuts almost always create sharp divides between a college's constituencies. Faculty members suddenly distrust administrators, administrators begin to fear alumnae/i reactions, and students may begin to resent their alma mata for cutting a particular office or program.

Despite student protest and complaints, Arizona State University will unceremoniously end contracts with more than 200 adjunct instructors. At Williams College, athletes are worried that budget cuts would affect their equipment and travel costs. Bowdoin College plans to freeze non-essential campus construction beginning next year. At Wesleyan University, the administration has made a controversial proposal to increase its enrollment by about 120 students over four years in order to take in an additional $3.9 million in revenue. Many students and alumnae/i fear that this will mean larger class sizes and a diminished quality of education.

Vassar, too, has been forced to make controversial budgetary decisions. Last week for example, some alumnae/i and students questioned a plan to not renew the contracts of two adjunct professors in the English Department. These professors were liked by students, and specialized in the popular area of creative writing. The elimination of these two positions, the College has said, is part of larger need to reduce spending on faculty salaries by about $750,000 in 2009-10. While some have complained that the move will harm the creative writing program, administrators maintain that the staffing plans will only mean a reduction in 70-80 courses out of the 1,200 or more that Vassar offers, and that this move is necessary to balance the budget.

After interviewing students, staff, administrators, faculty and alumnae/i, I find myself at somewhat of an emotional crossroads on the issue. On the one hand, I see students rightfully indignant when the economy threatens their favorite professors or programming. "Why would they cut something so essential? Why can't they cut something else, anything else?" Part of me starts to get angry right along with them.

A few hours later, I'll interview an administrator, chomping at the bit to ask them pressing questions. Then I'll notice their slumped posture--visibly exhausted and anxious, bags under their eyes and coffee cups overflowing their trash bins. They are, I quickly realize, working themselves as hard as they can to ensure the financial future of the College, often staying late hours and weekends. Suddenly I become empathetic. After all, aren't these administrators being asked to do the impossible, to balance budgets that cannot possibly be balanced?

Everyone has watched the news for the past few months, but somehow few people expect national events to affect students' experiences in America's colleges, or students' ability to afford those colleges. Tufts University has not only given up construction of new sports and laboratory facilities, but its chief financial officers are considering eliminating the school's need-based admissions policy. "The target of being need-blind is our highest priority," Tufts president Lawrence Bacow told The New York Times in November. "But with what's happening in the larger economy, we expect that the incoming class is going to be needier. That's the real uncertainty." The University's latest prediction is that the financial aid budget will need to rise by about $4 million next year. Students have been up in arms about revoking financial aid, but the administration feels like it has its hands tied. "Everyone is going to have to sacrifice," Bacow told the school's concerned student government. Schools of all sizes will almost certainly have to become more need-sensitive in their admissions this year, and will likely be offering smaller aid packages. Tuition will likely increase at many schools too, making it increasingly difficult for many to achieve a college education.

Kalyani Phansalkar, a sophomore at William & Mary College, knows that first hand. Phansalkar was unable to register for spring semester classes because the College was quickly forced to raise tuition as the economy sank. "My parent's budget is still tailored to the former tuition," she wrote in her college newspaper. "The difference between the two prices remains outstanding."

Her sense of hopelessness was matched only by that of William and Mary's President Taylor Reveley. "No other college or university in America has had to overcome more adversity than William & Mary," he wrote in his community letter, as if trying to reassure himself as much as the students and faculty. "We will be fine."

Higher education will be hurt by the economy. Students will receive less aid, non-tenured faculty will be let go, and support staffs will shrink. But the key to mitigating these truly unfortunate financial realities will be communication and discussion between administrators, employees, graduates and students. One letter from the president bemoaning the loss of the endowment--along with vague predictions of budget cuts--is not enough. College administrators should make sure to be as transparent as possible. Despite the crippling decline of Wesleyan's endowment, their president Michael Roth has met with the student government multiple times in the past few months, and issued information through blogs, letters and even Web site dedicated to the financial situation with an informational video. Wesleyan will be forced to make extensive budget cuts, but at least no one will be kept in the dark.

Seeing the early effects of the financial crisis on the macro and micro levels, I'm reminded of a lecture I saw at Vassar in 2006 by Williams College economist Gordon Winston, discussing research on the economics of higher education that he completed with Vassar president Catharine Bond Hill, argued that colleges are "part church and part car dealer." (The more technical term is donative commercial non-profits). On the one hand, colleges are businesses that charge prices for their services and operate under financial constraints. On the other hand, they are charitable institutions that receive donations and subsidies from individuals and the government. Though they charge a price for their product, that price (tuition) is heavily subsidized and does not nearly cover the production costs (hiring the faculty, heating the buildings, etc.) Fundraising professionals will frequently remind students that although the sticker price of an education might be between $30,000 and $40,000, the actual cost of delivering that education is closer to $60,000 or $70,000.

As Winston implied, institutions of higher education do not, and should not, emulate a corporate economic model. Colleges and universities not only are driven by financial concerns; these institutions are driven by idealism. Dedication to financial aid, to public service, and to ideas--all of these attributed strengthen education in America, even if they don't necessarily benefit colleges' bottom lines. While hastily announced price increases or layoffs might be acceptable in the corporate world, they do not apply so neatly to the realm of higher education. Even in a time of economic peril, liberal arts education demands discussion and debate. Difficult choices will certainly have to be made, but administrators across the country should remember to balance their role as church and car dealer.

These lofty moral standards demanded by students, faculty and the public are costly to institutions, but they ultimately help college administrators set priorities in a time of fiscal crisis--because unlike AIG, Lehman Brothers or General Motors, America's colleges cannot afford to fail.



Politico:

In a room just off the Oval Office, Brian Mosteller carefully pens a to-do list on a little white notecard. In the coming hours, he will monitor all the comings and goings in the West Wing, as well as all the practical details of those events. And so his list mixes the monumental and the mundane.




Carey Mulligan and Marcus Mumford have been notoriously private about their relationship, but the pair came out of hiding last night to make their first public appearance as a married couple.

They were spotted sneaking out of the Metropolitan Museum of Art's Costume Institute Gala afterparty in New York, along with pal Florence Welch in the wee hours.

With his arm around his new wife, the couple looked loved up as they posed for the waiting paps.

Wearing a stunning sparkly gold frock, Carey was also seen earlier in the evening proudly flashing her big rock as she posed on the red carpet.

The couple wed in a private ceremony last month, which took place in a converted barn on a working farm in Bridgwater, Somerset - glamorous, we know - but some star power was added by guests Sienna Miller, Jake Gyllenhaal and Colin Firth.

> IN PICS: THE MET GALA 2012

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Ever since became the creative director at in 2008, the French fashion house has become one of the most highly-regarded brands. Known for minimalist clothing and accessories, Celine's leather bags and shoes have appeared on everyone from to .

But the has us scratching our heads, especially when it came . Unlike the wood platforms and nude-colored loafers of previous seasons, Celine's latest collection featured blue, red, lilac and yellow furry stilettos, shoes with trompe-l'oeil toes and sandals that remind us of those Adidas slip-ons that are a mainstay by pools everywhere.

Check out the craziest shoes from in the slideshow below, and keep clicking through for more outrageous footwear from fashion week so far:

Want more? Be sure to check out HuffPost Style on , , and .



A Chinese restaurant in Kentucky has been closed down by officials after roadkill was found inside its kitchen, reports say.

Last week, customers dining at stuffed inside a trash can that was dragged into the establishment's kitchen.

"It was really disturbing. There was actually a behind the garbage can,” one customer told WTVR.com. "There was like a tail, and like a foot and leg sticking out of the garbage can and they wheeled it straight back into the kitchen."

Environmental health inspector Paul Lawson was soon called in to verify this gruesome claim.

According to WTVR.com, Lawson said that when he entered the restaurant's kitchen, he stumbled upon "."

"Upon arrival, I confirmed they did have a deer carcass in the facility,” he said.

Lawson told Lex18.com that the animal " by the time he arrived, which raised "many health and illness" concerns.

Officials say the restaurant owner's son admitted to bringing the deer -- which had allegedly been roadkill found along Interstate 75 -- "," Lex18.com reports.

The restaurant was immediately shut down and the owner's son was cited for having a "."

“They said they didn’t know that they weren’t allowed to,” Lawson said, adding that he was concerned that the restaurant has brought roadkill onto its premises.

According to WTVR.com, the owners of the restaurant told Lawson that they had intended "."

But this was little consolation to some patrons.

"I don't think I'll ever eat Chinese food ever again," said one customer who says she was dining at the restaurant when the deer carcass was hauled in.

Lawson said the after an inspection proves that it has been completely cleaned and sanitized, WYMT reports.

Though some customers of this Kentucky restaurant were thoroughly repulsed by the thought of a roadkill feast, dead animals peeled off the tarmac is the food of choice for some daring diners. According to an earlier report by The Huffington Post, a U.K. man named for more than three decades.

In the United States, it is legal in some states to -- whether that be for the dead animals' pelt or for food.

PHOTOS: ANIMALS IN THE NEWS

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is perhaps not the most demure of celebrities. She's , and -- all on national television. But, while filming her in Los Angeles last week, it looks like she's managed to combine all three of those style trademarks plus an added bonus: huge mesh cutouts.

We're not talking about small detailing here. We're talking gaping, side boob and rear-revealing holes all over her dress. That's certainly one way to get attention for your upcoming single. paired the LBD with towering hot pink heels and a matching pink ombre 'do (but since , we suspect it was a wig).

The 31-year-old singer during the shoot, but we really didn't know what we were in for until we saw these latest photos. Now we're definitely curious to see the actual video and whatever ensembles she'll be wearing. Could she possibly beat the bizarre risqué factor of this dress? Well, if anyone could, it's definitely our girl Christina. But we still have one more lingering question: Why is she holding a baseball bat?

Check out the photos below and tell us what you think of this, um, interesting look.

PHOTO:

Its finally here- MUSIC VIDEO shoot day!!!!!!!!! Get ready guys!!!!!!!!!!

— Christina Aguilera (@TheRealXtina)

Check out our roundup of the wildrest dresses of all time. Do you think Christina's should be added to the list?

Want more? Be sure to check out HuffPost Style on , , and .



We always hold our breath when steps onto the red carpet: will she carefully clothe her curves or surrender to a cascade of ill-chosen ruffles?

In other words, will she repeat , widely declared a fashion flub?

Tonight on the , she just might have: the "Mad Men" star wore another Christian Siriano frock with yet another strapless top, another low-cut neckline and another wave of ruffles down her side. Even the folds on the bust line appeared to be the same, as if Siriano cut the torso off the 2010 dress and stuck it on the new one.

After , we're stunned Hendricks would choose to (partially) resurrect it. Sure, she toned down the flouncy-ness. But the cut and even the color were nearly identical, leading us to wonder if this dress will be received as critically as the first.

But Hendricks probably doesn't mind, considering she still loves the original Siriano pick. , "I thought that dress was stunning. I stand by that dress to this day. I had just gotten back from my honeymoon, and I felt beautiful in those pictures." So why not repeat it?

Check out the two dresses and tell us what you think!

See the rest of the fashion!

Want more? Be sure to check out HuffPost Style on , , and .



How to follow last year's record-breaking Savage Beauty Alexander McQueen exhibition? The Met has turned to 'Ugly Chic', surreal style, skeleton dresses, lobsters and torn flesh.

Schiaparelli and Prada: Impossible Conversations is the title of the Metropolitan Museum of Art's Costume Institute spring 2012 exhibition; launching this week with the annual Met Gala Ball. Featuring 90 designs and 30 accessories by Elsa Schiaparelli spanning the 1920s - 1950s and Miuccia Prada covering the 1980s to the present; the exhibition explores how the two designers subvert our notions of taste, beauty and glamour.

Elsa Schiaparelli, whose fashion house closed in 1954, has been eclipsed in our collective memory by her rival Coco Chanel who dismissed her as 'that Italian artist who makes clothes'. In 2012, though, Schiaparelli is enjoying a popular revival with the help of the Met exhibition and 'The Hunger Games'. One of the biggest hits of the year so far with record takings at the box office, the film heavily references her 1930s haute couture in its Capitol Citizens' costumes. This belated recognition is all good news for Diego della Valle, the chief executive of Tod's, who bought the Schiaparelli brand back in 2007 with plans to relaunch it with a perfume and accessories line. He took the opportunity this week, whilst all fashion eyes are on New York for the exhibition and Gala Benefit, to introduce French actress and model Farida Khelfa as his muse; with a new designer to be announced in September according to the New York Times.

It's somewhat ironic that Schiaparelli's business failed to survive the years of post-war austerity, yet is being relaunched amidst a period of European austerity budgets and economic uncertainty - let's hope this time round the House of Schiaparelli achieves longevity. Although it's clear the designer's influence never really went away - so many conventions of modern fashion were started by Schiaparelli: she was one of the first designers to produce ready-to-wear collections and stage runway shows using music and tall, thin models. Schiaparelli also created the wedge heel; graphic pattern knitwear featuring surrealist trompe l'oeil imagery; the signature colour 'hot pink'; even Jean Paul Gaultier's torso shaped perfume bottle is a modern homage to Schiaparelli's 'Shocking' perfume bottle from the 1930s.

Schiaparelli provoked and scandalised 1930s society - I think if Schiaparelli was still alive she would find a natural affinity with Lady Gaga and Miuccia Prada; her shoe hat and tear dress were equally shocking in their time as Nicola Formichetti's meat dress is today.

Schiaparelli and Prada: Impossible Conversations runs from May 10 - August 19, 2012 at . The institute houses a historical collection of thirty-five thousand costumes and accessories and is the home of the Irene Lewisohn Costume Reference Library, one of the world's foremost fashion libraries. The annual Gala Benefit is the main source of funding for the institute and enjoys heavy support from the fashion industry.


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Schiaparelli provoked and scandalised 1930s society - I think if Schiaparelli was still alive she would find a natural affinity with Lady Gaga and Miuccia Prada; her shoe hat and tear dress were equally shocking in their time as Nicola Formichetti's meat dress is today.



The carpet may have been red, but at the , the color of the night was pink. SHOCKING pink, . And it was Coco Rocha who outdid everyone's pink dresses, jackets and shoes with bright pink hair.

The brunette model's ends were totally dip-dyed, popping against her yellow jumpsuit. And that jumpsuit! (and with to show for it). She finished the look with a pink top and pretty pink shoes, natch.

Chris Benz and Julie Macklowe both had pink hair, Hamish Bowles wore a pink tuxedo jacket and Paul Patton was swathed in a pale pink shade. But we'd venture to say Coco had . What do you think of her ombre strands?

PHOTOS:

See the rest of the red carpet arrivals from


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London Fashion Week launched a new initiative this year, Fash/On Film, to celebrate the relationship between film and fashion. Last week a series of 'fashion films' were screened in London's Canon Cinema, interspersed with director's Q and A sessions and live catwalks. Although this venture is new, cinema's infatuation with fashion has been long-running and, until recently, unrequited. In the past two decades, films about fashion - The Devil Wears Prada, Coco Before Chanel, A Notebook on Cities and Clothes, to name but a few - have made box office hits, as well as successful documentaries. On the flip side, fashion designers are trying their hand at film or directly using it as a source of inspiration. In 2009 Tom Ford declared himself a film director with the visually stunning, albeit appallingly scripted, film A Single Man. Another new project this year, Green Cut, - a collaboration between the British Film Institute and the British Fashion Council - challenged eight famous designers, to each create a bespoke piece that offers a contemporary take on a classic film. Participants included Tom Ford, Stella McCartney and Jonathon Saunders.

In his documentary, A Notebook on Cities and Clothes, exploring the work of the designer Yohji Yamamoto, Wim Wenders starts out with the following proposition: "maybe fashion and cinema have something in common?". The film ends with the idea that the fashion designer preparing a catwalk is not so different to the film director working on his or her final edit. Both, in Wenders' words, are establishing a 'montage', a sequence of images. Montage is, arguably, at the heart of both cinema and the fashion show. A friend who recently went to a fashion show for the first time remarked that she felt like she was watching a short film.

The film world has recognised people's fascination not just with clothes per se, but with the fashion industry as a whole - with the air of glamour that surrounds it and the powerful people that run it. Now, The Devil Wears Prada and Coco Before Chanel, fun as they may be, are by no means works of art and use fashion as a storytelling device as much as a central theme. But mainstream cinema's interest in fashion is part of a broader ontological affinity between the two artistic mediums and their worlds - a correlation recognized by the earliest filmmakers. It is no coincidence that film and fashion as we know it today were born almost at the same historical moment and from the same impulse: the emerging self-conscious 'modernity' of the early 20th century, which sought new modes of expression using new technologies.

So, what exactly is this affinity? Firstly, at an ontological level both film and fashion deal with movement and the ephemeral. Fashion deals with what is 'in' - this is constantly changing and part of the attraction. The fleetingness of what is in vogue makes fashion, as Wim Wenders discovers, "by definition, always in." Clothes are also, largely, about physical movement: how they sit and move on the human frame, not on the hanger or the terrifying faceless mannequin. Hence why catwalks are the showcase method of choice and why online shopping sites provide videos of models walking in the clothes as well as photos of the clothes themselves. Early cinema was distinguished from the other six arts by its unique ability to 'realistically' capture movement: this technological facility initially became cinema's raison d'être. Shorts from the late 1990s simply show a train arriving at a station or the frenetic movement of city crowds. Bauhaus and Dada films from the early 20th century - or what we would now stigmatise as 'video art' - are interested mainly in capturing the movement of shapes, silhouettes and shadows, rather than in a strong narrative. Abbie Stephens' film for Emilio de la Morena, Traces, showcased at London Fashion Week 2012, focuses mainly on dramatic lighting and shades of black and white, drawing inspiration from these early films. Traces feels more like an early silent film or a contemporary music video than a contemporary short film. Fashion film is taking cinema back to its roots.

In recent years the fashion industry seems to have recognised the similarity between the catwalk and film; or rather, substituted the latter for the former. At Paris Fashion Week 2008, to great critical acclaim, YSL ditched the catwalk in favour of film to showcase its autumn/winter menswear collection. Presenting clothes through film has the advantage of not only allowing viewers to see the clothes close-up and from different angles simultaneously, but also of presenting the clothes - and the lifestyle and persona seemingly inherent to them - in a more stylized and therefore effective manner; for what is fashion if not self-stylization?

Increasingly more 'fashion films' are being commissioned by various designers. Is this merely another indication that the fashion world is branching out further into the area traditionally considered 'art'? Or is there something special about the relationship between the fickle worlds of film and fashion that will make it a happily-forever-after? Could fashion film ultimately replace the catwalk?



I have this completely unscientific theory about why certain celebrities attract gay followings. It works perfectly for idols like Judy Garland, Barbra Streisand, and Madonna and lust objects like Adam Levine and Chris Evans. But there is one celebrity who mucks the whole thing up: Anne Hathaway.

My theory suggests that our devotion to these stars derives from a form of gaydar. The reason some performers ping for us over others is simple: They have immediate , and we somehow pick up on it. In every way, Anne Hathaway is the whole package. She is everything we traditionally love in a female star. So why, then, is she not more universally adored among gay men?

Anne is beautiful and talented. She has a gay brother and is devoted to LGBT equality. When it comes to her film choices, she has serious gay cred: The Devil Wears Prada, Brokeback Mountain. Even The Princess Diaries is the kind of movie some gay could be reflexively quoting around a Fire Island pool party at any hour of the day or night.

She sings! She dances! Her love life is terrible! Remember when she dated that international con artist? We gays eat that stuff up. As Liza Minnelli has made clear, she who suffers most, wins. Nevertheless, Anne Hathaway lands in some kind of gay blind spot, and not just in Love and Other Drugs when Jake Gyllenhaal's nudity caused rampant tunnel vision in the few gay men who went to see it.

I keep waiting for the situation to turn around. Just this past weekend I went to see The Dark Knight Rises, in which (as many reviewers pointed out) her Catwoman ends up stealing more than just a pearl necklace. In one scene she not only wears a fabulous hat but punches some guy through it. It left me incredulous. She is working her ass off for us, in razor-sharp spiked heels, no less. Anne Hathaway practically demands that we love her. I've seen less aggressive bids for our attention on Grindr. So what more do the gays want?

I wonder if it's merely generational in this case. During the more repressed 20th century, we idolized ladies on the screen who boldly expressed themselves in ways that we couldn't. We hung on their every cutting remark, heavy-lidded stare, and padded-shoulder shrug. When Bette Davis walked across a room to shake the stuffing out of Miriam Hopkins in Old Acquaintance, she released the pent-up rage deep inside gay men everywhere. And if she doesn't give Mildred Pierce that check.

But now, in the more open 21st century, we don't need to have women of a certain age live our lives for us. Our actual experiences play out now without the need to layer our emotions on someone else's drama. We delight in Miranda Priestley's diatribe about cerulean sweaters because , not standing in for us. Soon it becomes more important to lust after Ryan Gosling in Drive than imagine ourselves as Diane Keaton in Something's Gotta Give (although, seriously, what gay doesn't want that Hamptons house?). We don't need a dame of the silver screen to grace the covers of our magazines when nice, hot straight guys like Channing Tatum or Ben Cohen will happily drop trou for our amusement. Perhaps we don't need Anne Hathaway the way we used to need gay icons, simply because we cut out the middle man (or, in this case, middle woman) in our steady march for equality.

There are some suggestions I could make for Anne, if she still wants us, ways she could improve herself in the eyes of this fickle community. (Of course, all that assumes that our failure to accept her is somehow her fault and not ours.) A messy booze problem might win us over. Her performance in Rachel Getting Married is a nice preview of what we might like to see from Anne on a future airing of Entertainment Tonight (though the Real Housewives and a thousand have pretty much soiled that grand tradition; it might be hard to break through the white noise). Perhaps a short run on Broadway? Oh, but there she is, already way ahead of us. Later this year she is appearing as Fantine in the . And she shaved her head! Shaved! And you know she didn't do that to get on the cover of Maxim. Come on, gays. There hasn't been so naked a bid for gay attention since Faye Dunaway turned the arched eyebrow into a form of divinity.

That Anne Hathaway is firing on all cylinders for us. The least we can do is get on board and enjoy the ride. For old times' sake.


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MILAN — Miuccia Prada never met her designing compatriot Elsa Schiaparelli in life but the two are being united in an exhibit on the sidelines of Milan Fashion Week.

The Metropolitan Museum of Art has paired designs by the two female Italian stylists from decidedly different eras in what it calls "an impossible conversation" – impossible because it never happened.

Prada, 62, expressed surprise when asked if she had ever met Schiaparelli – only to be reminded that she had died in 1973 at age 83. The older designer's heyday was in the 1930s, making her memory much more remote.

"When I think of her, I think of the past," Prada told reporters Friday after the exhibit was introduced.

The ballroom in Milan's Royal Palace, which is adorned with statues damaged in World War II bombings, contained pairings of the two designers' dresses, showing apparent similarities that fade when their techniques and inspirations are considered.

"I honestly see more differences than similarities," Prada said.

The exhibit, which will run at the Met from May 10-Aug. 19, includes two dresses both inspired by the Indian sari.

Schiaparelli, who was influenced by the Surrealists, took inspiration from a famous 14-year-old Indian princess of the era to create a long printed orange silk chiffon evening gown that drapes lightly over both shoulders.

Prada, who is at the forefront of contemporary design and who often explores technique in her creations, was inspired by how a European traveler would interpret a sari. Her minimalist dress in golden fabric is shoulder-less with an elegant accordion side pleat.

The two also sewed insect motifs onto separate garments. Schiaparelli placed her Botticelli-inspired bugs on lapels, reflecting 1930s dinner society that put the focus on the waist up. Prada, who often focuses on the waist down, put her bug on a skirt, said curator Andrew Bolton.

Despite the exhibit, Prada said she doesn't take direct inspiration from earlier designers, like Schiaparelli, but rather from periods.

"Every decade represents a moment in the life of a person," she said.

Reflecting on Schiaparelli's era, Prada said today perhaps people are less eccentric because they have more freedom to express themselves.

"I'm interested in the limits of eccentricities, because too much eccentricity is ridiculous," she said.



The Devils Wear Prada star Emily Blunt has revealed she might be interested in revising her role as Miranda Priestly's catty assistant Emily Charlton in a sequel to the hit comedy-drama, but only if she's not forced to lose weight.


Emily Blunt and Meryl Streep in The Devil Wears Prada

Speaking to The Huffington Post UK about rumours that Blunt said: "What Meryl said was she'd do it if she didn't have to lose the f***ing weight, that was her quote.

"And I'd probably say the same because they made me lose weight for that. I was playing that character who was on the edge of ill thin just desperately trying to maintain her weight."

However, she added: "I feel with sequels you can be in tricky territory because that movie was so special and cool, so we'll see if everyone else wants to do it."

READ: Emily Blunt on her 'The Five-Year Engagement' co-star Jason Segel: 'He has a real repertoire for fake orgasms'

Author of The Devil Wears Prada Lauren Weisberger, which the film was adapted from, announced that she was working on a sequel to her best seller - titled Revenge Wears Prada - recently. However, progress on the book is said to be moving at a glacial pace.


Emily Blunt at The Devil Wears Prada premiere in 2006

In the meantime, Blunt is pretty busy. Her latest film, The Five-Year Engagement, is currently in cinemas and her next film, starring alongside Bruce Willis and Joseph Gordon-Levitt, is in post-production.

She told us: "I'm really excited about Looper coming out in September, it's a futuristic thriller and the coolest movie I've ever done.

"I'm really lucky to be in it. I play Sarah who lives on a farm and she gets embroiled in all of the time travel mess that goes on in the movie, I can't say too much about it."

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Meryl Streep, who plays a tyrannical fashion magazine editor in the film "The Devil Wears Prada," does not wear shoes by the Italian fashion house.

"I own one pair of Prada shoes. They make my feet hurt," the American actress told the latest edition of French magazine Madame Figaro, published at the weekend.




NASHVILLE, Tenn. — A mutt who sat on doggy death row for more than a year before given a reprieve is now officially free from government captivity and headed toward TV stardom.

Prada, the 4-year-old pit bull mix that was ruled vicious and ordered put down, was released Thursday from Nashville's Animal Control facility, where the dog had been held since January 2011.

Prada was ordered put down after attacking several other dogs. A judge spared the dog's life after the Villalobos Rescue Center in New Orleans agreed to take the animal.

The center is featured in Animal Planet's reality TV show "Pitt Bulls and Parolees," which puts ex-convicts and abused dogs together so both man and animal can be rehabilitated

"Prada loves these people," Nicole Andree, the dog's former owner said after a representative from the rescue center came to Nashville to collect the dog.

Andree, a 35-year-old childless real estate agent, fought a lengthy court battle to spare the dog, vowing never to stop until she got Prada off death row. But she had to agree to give up her beloved pet to save the animal's life. The judge lifted the death order after Nashville lawyers said they would not object if Prada went to the rescue center. The dog, however, must stay there for the rest of its life.

Andree says she plans to visit Prada at the center. She believes the dog will have a good life there.




New York TimesGina BellafantePosted Monday June 19, 2006 at 10:11 AM

Former NYT fashion reporter Bellafante sasy "The Devil Wears Prada" is an accurate depiction of the fashion industry, seeing in it echoes of her own experience falling in love with clothes and working with people singularly obsessed with the industry from spouting stats on hemlines and supermodels to assistants pulling all-nighters in order to advance up the chain. Bellafonte is silent, however, on specific details of her own experience and whether she had her own Miranda Priestly barking ridiculous demands in her ear at 4 am. In other news, thank goodness being a size 6 is acceptable for blogging.

Related: Tales from the beauty-mag trenches: Jolie in NYC ( and ).



For this new series, I'm taking a look at my inspired pieces for the season. Lucky for you, I'm going to be delving into my wish list and picking out my favourite pieces from both sides of Regent Street.

Let's start with a bit of honesty. Knitwear for winter is about as innovative as pastels for spring. But really, this season is a great friend of the jumper. The pull for wool is inevitable, and I couldn't love it more.

Winter dressing is fun. I like to think of it as an exercise in wearing all your favourite clothes at once, a thought that is far too exciting. This season, pair your winter warmers with an oxblood pencil skirt (FYI, it's the new colour), go for simple chic skinnies and ankle boots for super-adorability, or contrast over lace for the ultimate autumn texture. The season has rocked up in tones and shades; we said au revoir to colour blocking and bonjour to textures. From animal embellishments to Jil Sander's real Baseball-luxe, you are totally spoilt for choice with this little lot.

Autumn Winter 2012 cooked up an excellent banquet of wooly treats, treating everyone to a piece of the action. There's the boyfriend knit, a dose of pop-art chic and happy to go slogan-crazy pieces that are just dying to get in your wardrobe. That's just as well really, as there's a real possibility that I have forgotten what it's like to be cold. London never seems to get quite cold. The underground is a melting pot, and a good brisk tourist-dodging walk is not only good for your temperature but your legs, bums, and tums too.

To match your fabulous winter wardrobe, with the all new demi-heel and trouser suit, slip one of these beauties and snuggle down into winter. You can thank me later, I'm just loving each and every one of these fabulous jumpers.



Try a little bit of what you fancy from Moschino Cheap and Chic, such a cutie (£407 at )


Keep it simple with DAY Birger et Mikkelsen's easy knit, perfect to add to your essential autumn collection (£135 at )


Channel Acne's royal purple in this simple yet fashionably effective jumper, perfect for an on or off-duty look. (£190 at )


The real sportsluxe from Jil Sander (£310 at )


Pay homage to the season's obsession with animal knits in By Malene Birger's adorable sequinned lion jumper (£225 at )


K is for...KENZO. And quite right too in this gorgeous autumn shaded jumper (£205 at )


Get ahead of next season as Fashion Month arrives with this perfect striped chunky knit from Urban Outfitters. Very Marc Jacobs, darling (£55 at
)


MWAH. Love from Markus Lupfer. So much love for these amazing knits that are definitely making it into my winter wardrobe... (£290 at )


Keep it simple with See by Chloe's divine red knitted sweater (£285 at )


Snuggle down in Topshop's slouchy grey jumper, with the perfect metal complement for a little rough edge. Oh so lovely... (£55 at )


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There are moments in fashion when you recognise something that will change the landscape of our fair industry. It happened at Jil Sander in September 2010 when Raf Simons transformed neon colours into a palatable concept with that skirt. But now, the new 'it' item has arrived, storming catwalks and constructed by the real who's who in fashion. If you are looking for the defining autumn addition then this is it. Seriously. Introducing, the trouser suit.

It sidelined for years before being exalted once more, hidden in a midday shadow by asymmetric skirts and outdated preconceptions of what a trouser suit should look like. Upon the entrance of Vanessa Axente, walking in Prada's AW12 show, the revolution re-began. A black trouser suit adorned with jewels at the ankle and lapel broke us in gently to the print extravaganza that followed.

Muiccia Prada's collection read like the spoof school uniform rulebook, a guide of how not to dress. Breaking all the rules your mother ever taught you about getting dressed (unless your name's Allegra Versace), it defiantly stepped out in the midst of our braver, pattern clad bodies. Described by some as genius, others as so-bad-it's-good, there is no doubt that, as standard, Prada delivered a show stopping collection. Thank goodness the show didn't stop, the two-tone wedges weren't slowing down.

This autumn, the trouser suit isn't just about coordinating prints. It's a lesson from Italy about how and why to wear trousers; the collections are instructive and precise. In a distinctly less 1999 Ally McBeal mode, trousers are now eye-catching, powerful yet feminine. And really, what more could you want from your new sartorial best friend?

Like many fashionable themes, this trend would not have emerged without a great pinnacle of style. All hail Yves Saint Laurent. Changing womenswear from the moment his 1966 summer show opened, the tragic genius revolved the perspective of women in trousers. Yves' changed the world; the masculine black tie uniform was transformed into a palatable piece of high fashion. Yves produced the sexiest form of masculin/féminin; it will never be seen again. Original hipster Francoise Hardy had a set ordered specifically, a testament to the chicness of 'Le Smoking'. Only Saint Laurent himself might have known just how much impact that suit would have.

Blame the recession, if you will, for 'useful' fashion's renaissance. Queen Phoebe [Philo, of Celine] designs for real women in mind, making clothes that present solutions, not make us wonder 'where can I actually wear that?' The trouser suit ticks that box, the ultimate sexy-in-your-boyfriend's-clothes glamour combined with an oh-so practical edge, practically tipping the cap to high fashion. And it was everywhere.


Celine pulled out jumbo oversized coats that juxtaposed tapered trousers, all characteristically architectural, ranging across the colour spectrum. In contrast, standing proud amongst an array of well-established houses is a K-Mid favourite in Emilia Wickstead. Not edgy like Acne, or the cool, streamlined Celine solution, the New Zealander's endlessly chic display was effortlessly all there, light and breezy but sensible. Sensible is truly the word. Her simple yet effective, soon-to-be classic additions to the every day woman's closet don't pull the power card out of the pack, but just subtly lie there. An understated collection, like the designer herself perhaps, but the one and only pair of trousers in there showed what pastels for autumn are all about.

Stella McCartney intertwined a casual rock baroque mode with everyday clothes of the working woman. Introducing the pantsuit as an accessible addition, Stella's are much less 90s grey pinstripe and so, so much more elegant yet undeniably cool. But do we expect any less from the Queen of British luxury? I think not. Trousers have regained dignity as something to be desired and cherished. Merci, Mrs Prada.


Some trends do not lend themselves to maximum appeal, but like almost no other, you can rely on the trouser suit to work for you. Yes, you. From wide legs that do flatter, to uber-chic ankle-grazers, there's plenty happening. If you're in any doubt, ask yourself what would Yves want. He'd want you to go for it. So do. It suits you.

Images courtesy of Jil Sander, Prada, Miu Miu, Celine, Emilia Wickstead, Stella McCartney.


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Dressing 'casually' can be a problem. Like many things, the more thought you put into it, the room there is for error. Highlights of my recent fashion discoveries include the sad realisation that my Rive Gauche blazer is the only thing to pull off big shoulders, complex layering assumes the look of one going hiking, and the effortless colour blocking tactics are only possible with precision training, and an unlimited tonal wardrobe. To the latter sentiment, one (and by this I mean me) may resemble one's seven-year-old self's paint palette. And that's not something I'd like to remember.

Thinking about what to wear in the morning is often just a little too complicated. Stick to what you know usually works best, often sufficing as the solution to my frequent ensemble dilemmas. This season, I sense a real solution. Introducing minimal maximisation... or rather, the rise of the oversize.

I realise that excessively large sized clothes may not be immediately appealing. Like layering they are fraught with difficulties largely associated with 'does my bum look (too) big in this?' Despite this, that very exclusive nod to fashion is all there in the act of the oversized. Be not fooled, this is no excuse to gorge on Godiva's delectable chocolate-covered strawberries, or to stop that excellent running habit you've adopted. Whether I'm referring to the one in Louboutins to the bus stop, or the 5k I'll leave to you.

Husbands beware, the 'Bridget, that's not your coat' trend can be actually be put into practice, making extensive appearances on the catwalk and reducing models to their even more skeletal selves. Roksanda Ilincic literally pulled out all the stops with almost inflatable looking coats, going Olympic-style sumo against the oversized trend. Championing more of a bedtime than Olympic Park vibe, Chloe matched the covetable Parisian sensibilities with a British sporting edge in creating a very comfy collection of coats, while Celine fell back on elegant yet minimalist functionality, as is their timeless mission.

Pair an oversized boyfriend blazer with a slick pair of trousers for the perfect complement to the new season a la the queen of casual chic and those wedged trainers, Isabel Marant. The Parisian worked an almost impossibly chic boyfriend blazer with simple skinny trousers and stilettos for her take on oversized. Now who said fashion was tricky?

Not everyone chose macho man for their autumn theme song; Raf Simons' last collection for Jil Sander generated a well-deserved standing ovation from the Milan crowd, exhibiting perfect large scale minimalism. The absolutely divine pastel coat, seemingly more at home in your grandmother's dressing up box than the catwalk, sealed Raf's place in fashion history.

Coats were not alone in this trend's domination. Prada showed the ultimate high fashion geek chic brogue, super high, and super clumpy yet ultimately powerful. Almost so bad they're fabulous, Prada's shoes literally lift you into the fashion limelight. A broad selection of large than life tote bags more suited to a weekend in the Cotswolds than a trip to Waitrose with the kids emerged. We've all done it, bought a huge handbag and proceeded to fill it with as much as possible. This is regrettable yet inevitable position to be in, and made all that easier by Valentino's Mary Poppins effect hold all.

In a strange sartorial hybrid, the rise of the oversize signals minimalism within a much larger idea. While shapes might be overbearing, concepts are minimal, forming the perfect combination of micro macro. Minimalism, the chic Parisian's favourite, favours a simple way of living and dressing that can be easily incorporated into AW12's biggest and boldest trend.

In a season that celebrates the waist, we are treated to a splendid array of cuddle-me coats. Thomas Tait's wide collar pea green number was almost as inviting as MaxMara's maximum lengths in coordinating colours while Commes des Garcons struck a floral chord with a cape-like piece, enough fabric to wrap up half the finale girls. During all of this, the clean architectural lines we have come to expect have not been forgotten in construction. Big, bold and beautiful does not signal the end of tailoring, it has simply streamlined to perfect the utterly sensationally casual in oversized looks.

So if Michelin men don't take your fancy and Chloe's dressing gown look is just a tiny bit too appealing, invite Raf Simons into your life and champion oversized simplicity. With that coat, you barely need a dress. Cough, did I really suggest that? Financially viable though, let's be honest.

Images courtesy of Roksanda Ilincic at Starworks, Chloe, Celine, Isabel Marant, Jil Sander, Prada, Valentino at Karla Otto, Comme des Garcons, Thomas Tait.


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This year, more than any other year, I woke up starving. I was fasting. The smell of ' bagels in the toaster forced me to stay in my room and linger in bed just a bit longer (I don't do well with temptation). You see, I don't fast on a regular basis. But, I am Jewish and my family and I observe the holiday of . . Jewish people traditionally observe this holy day with a 25-hour period of fasting and prayer. This is the holiest of holidays and we make the obligatory visit to the temple. It's ironic (or actually sad) that the Temple is normally less-than-full. However, on Yom Kippur, the sanctuary is standing room only. By the looks of the overflowing parking lot, most of us would do proud as we have chosen to "

As I got dressed and applied a little makeup, I cursed the headache that was taking over. Apparently, my head (and energy level) missed my morning cup of coffee. However, fear, tradition and a guilty conscience reminded me that fasting (and repenting) was not a choice. I grew up in a traditional Jewish home. My own (always stylish) mother always led the way by example. A simple, classic black or beige St.John suit was as "flashy" as my mom got on this holy day. This holiday was about repentance, she often reminded me. No need for too much makeup, or a fussy dress. I often looked at the Jewish women who had chosen not to fast, or not to participate in prayer. I did not recognize many of the faces, and wondered if they were new to the community? Draped in their fanciest frocks, which often included a large and elaborate hat-and-purse combo, a fashion show of sorts often took place in the sanctuary. I remembered my mom's elegant and appropriate style, and got dressed in a loose-fitting black Tahari dress. No belt or ruffles, just a plain dress.

As I walked out my front door, my friend-slash-confidant-slash-keeper of secrets, the UPS man, bumped right into me. I could not resist the urge to open the box right away, and boy, was I glad I did. The box contained a highly anticipated pair of black patent leather peep-toe Prada pumps. It would be a sin not to wear my new shoes! I put them on right away. I thought about my mom's flat sandals. She often reminded me that this holiday required a lot of repeated sitting and standing. Never mind, I thought. I can still wear these new shoes. Like I said, I'm not great with temptation.

This year, my husband and I were given an honor, and we needed to be standing on the bimah at 11 a.m. sharp (the bimah is a pedestal located in the front and center of the temple). As I jumped out of my car and started to walk, I realized that these new pumps were extremely tall and dare I say -- uncomfortable. My legs shook and my toes started to ache. I was already regretting more than just my sins; how would I sit and stand all day in temple? How would I ever walk in front of the entire congregation without falling? I barely made it inside the temple before my name was called out, and my husband and I walked to the bimah to read from the Torah. Not only was my walk up to the front of the temple painful and scary, but my time standing on the bimah was even more difficult. As I read the passages, all I could think about were my shoes. I was in pain and hoped nobody could tell.

PHOTO:

Thankfully, I did make it back to my seat without falling. Throughout the rest of the service I complained (internally) and wondered: Should I sit down and rest my feet, or take my shoes off and remain barefoot? I did neither, and opted instead to suck it up and deal with this ridiculous situation. I mentally chastised myself and wondered if perhaps this same shoe existed with a lower heel, or if my new shoes were even refundable? Of course, this question led me to do a quick search on my iPhone. (Don't worry: The sound was off and the entire search lasted no more than five minutes). It wasn't long after my Google search that we were back in the car on the way home. I couldn't help but to feel badly about the morning's service. Yes, I had fasted, and I had attended the Yom Kippur service. However, while I had been physically present, my mind and thoughts were not where they needed to be. I obviously had more in common with the fancy-frock females than I wanted to admit.

I used my time in temple to worry, complain and Google my style choices and quandaries. I am ashamed of this, and wrote this post as a confession (I know, it's a little late). This whole Yom Kippur/shoe episode got me thinking about a bumper sticker I recently saw. It read, "Don't judge me because I sin differently than you do." Prior to this Yom Kippur, I had not understood the elaborate hats or makeup. Now I get it: We have to each make a conscious effort to be present and honest with ourselves. I knew where I needed to be, and Saks.com was not it. So, I apologize now for the sins of last year, and promise to do an extra good deed (or two) to make up for style sins.

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www.mydaily.co.uk:

Elle MacPherson wore an absolutely stunning Prada dress to the launch of Britain and Ireland's Next Top Model in Soho. Unfortunately, when you opt for a look this memorable, you should probably make sure that another celebrity hasn't already nabbed your big moment.

Like Eva Mendes promoting her movie The Other Guys back in November 2010, for example.




At the beginning of The Devil Wears Prada, Anne Hathaway's character explains the reason she ended up at Runway is because the choice was between there and an Auto magazine. At times when I have least to do, I like to think I got the work placement Anne turned down.



If you're going to stage a fashion comeback, where better to do it than the ?

The brand, co-star of the Metropolitan Museum of Art’s new Costume Institute exhibit, is on track to be revived by its current owner, Diego Della Valle. Women's Wear Daily reports that Della Valle, who purchased the rights to the long-dormant brand in 2007, and is on the hunt for a head designer. "The designer’s introduction," says the press release, "will take place in October."

According to WWD, will be the first products to hit shelves in February 2013.

The Elsa Schiaparelli brand has laid dormant since 1954, although Schiaparelli herself lived until 1973. An Italian native, "Schiap" began designing in Paris in the late '20s and grew to become one of the most prominent designers in the '30s -- even more prominent, some would argue, than her peer and rival Coco Chanel. ( "that Italian artist who makes clothes.")

Schiaparelli's fashion house suffered from World War II and she shuttered the business in 1954. But her name and legend lived on for fashion lovers and, in 2006, Della Valle purchased Schiaparelli's trademarks and archives with an eye on resuscitating the brand.

And it would seem now is the perfect moment. The exhibit, which kicks off tonight with the , puts the two Italian design legends in conversation, comparing their work and suggesting new ways to understand their designs.

To compare the two idiosyncratic designers might literally be an impossible undertaking ("They are not taking into consideration that we are talking about two different eras, and that [Schiaparelli and I] are total opposite," ). But it is undoubtedly good for Schiaparelli, whose name is lesser known in the contemporary fashion world. The Costume Institute's new exhibition will not only honor her legacy but also put her name on the public's radar -- so what better time to push the brand back in stores?

Read more about -- and check back here this evening for coverage of the Met Gala, where the museum will officially unveil

Discover Elsa Schiaparelli in the vintage photos below:

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"I was lying underneath him just crying with laughter," says Emily Blunt as we sit in a London hotel room discussing fake orgasms.

She's talking about the hilariously awkward scene in her latest film, , where her on-screen fiance, Jason Segel, tries to have sex with her after hearing some very bad news.

Blunt laughs: "Every time he'd change it, so each fake orgasm came with a different sound or a different facial expression. It was that dreadful anticipation each time of not knowing what he was going to do next. I was in tears… he did like 12 takes, it was ghastly. He has a real repertoire for fake orgasms."

"Is that from experience?" I ask. "It must be, right?" the Golden-Globe winner and Devil Wears Prada star jokes.


Emily Blunt is one of the current crop of British stars carving up a storm in Hollywood

British actress Blunt isn't usually seen in rom-coms - which she says are "something you've got to be careful with" - and when producer Judd Apatow (Bridesmaids, Knocked Up) previously tried to snare her for projects she turned him down, so why did she say yes to The Five-Year Engagement?

"I think it was just the right time and it was the right part. I really wanted to work in that style of comedy, very improv-based comedy, because I think that's where you get between two people the best most natural, most true-to-life depiction of what a relationship actually is and it gives a sort of messiness that's true to love.

"This film didn't have the same sort of glossiness that most romantic comedies have, where it's some dreadful premise."

In the film Blunt plays Violet, an academic who goes after her dream job. The problem is she's just got engaged to a chef named Tom (Segel). The story looks at what happens when this seemingly perfect couple keep getting tripped up on the long walk down the aisle.


Emily Blunt with co-star Jason Segel, who made her "cry with laughter"

"If it had been the other way round and the woman was the one making the sacrifice, then people wouldn't kick up such a fuss, but I remember when I started to do press for this film people would say 'God, Violet's so selfish,'" says a fiery Blunt.

Equality is a topic that comes up twice in our interview. The Adjustment Bureau star - who made it down the aisle almost two years ago to wed (US version)The Office's John Krasinski - asks: "Why not have it all? You can have it all, you can flourish and have your dream job and you can get married. It's a struggle but that's all part of the fun. I think it's about time there was more equality and men just have to be OK with it. Male egos just have to get on with it."

And when I ask her what she thinks about people saying women can't be funny in films, she cries, "Oh give me a break!" before adding: "We're not given parts where we are allowed to be.

"You're usually given the little lady at home who is kind of a square and you're enabling the guy to run around and save the world being hilarious.

"It's great Bridesmaids happened… I think Hollywood had this preconception that only funny men get bums on seats and that theory has kind of been shattered."

Blunt's obviously enjoyed her foray into comedy and she admits she'd like to do more but "doesn't quite know when," adding: "I don't know if I'm going to rush into another romantic comedy, but I'd like something else with a comedic element. I think that type of genre can get quite fatigued."

Proving her diversity as an actress, Blunt gives me a hint of her next film, starring alongside Bruce Willis and Joseph Gordon-Levitt.

It's a far cry from the overpopulated rom-com genre: "I'm really excited about Looper coming out in September, it's a futuristic thriller and the coolest movie I've ever done.

"I'm really lucky to be in it. I play Sarah who lives on a farm and she gets embroiled in all of the time travel mess that goes on in the movie, I can't say too much about it."

The Five-Year Engagement is in cinemas 22 June.



Want a career in fashion or beauty journalism? Forget writing skills -- think Queen Bee aggression.

"I'm sorry, who are you? I don't believe we've met," says my editor to me about five minutes before I leave her magazine premises and my job as her fashion and beauty intern for good. I've been in the job for a day and a half.

A knee-jerk reaction you might say, but I only needed this short amount of time to know that there was little opportunity for me in an environment where the chief editor had no clue who I was, the web editor used her lunch hours to consult her plastic surgeon, and the editorial assistant felt it catastrophic that her fingernail couldn't be manicured because it was in plaster.

Many probably had some reservations that Lauren Weisberger's 2003 New York Times bestseller The Devil Wears Prada, and 2006 film of the same name (starring Meryl Streep) were a tad far-fetched in their overly-catty representation of the fashion and beauty magazine industry, both after all being categorized as light-hearted stylish comedies despite their rumored basis on a real life scenario. Sadly however, such a scenario is not so comical when its reality is experienced, with many large and well-known publications valuing over skills of writing and creativity an individual's ability to be artificial and aggressively theatrical in their appearance, manner and role within an editorial team.

Speaking to others who have undertaken fashion and beauty internships, it is clear to see that the process is a matter of survival rather than enjoyment.

"Unfortunately my [work] experience was quite similar to what you described as it was in the body and soul section -- so full of catty women who weren't very friendly at all. Needless to say I haven't been in touch with them," says Annabel Smith who undertook a placement at a national newspaper following her time as a student at Leeds University.

For an intern trying to break into the business, experiencing this environment for the first time can be soul destroying -- their mere existence is only acknowledged if another member of staff wants something. So why do some fashion and beauty journalists feel the need to intimidate office newbies or interns through ego-fueled theatricality? And why is there such a strong desire for a clear staff hierarchy within their offices? (The intern being placed at sub-basement level).

Women can sometimes be rude or difficult when interacting with other women in order to assert authority. Professor Fiona Wilson from the University of Glasgow claims that research has found some women to have "Queen Bee Syndrome" when in managerial positions. This theory is based on a beehive containing one superior Queen Bee surrounded by other subservient bees (known as drones).

Traits associated with Queen Bee Syndrome include a woman distancing herself from other female colleagues, or refusing to help other women climb up the workplace hierarchy. A woman may use this tactic to retain power, or (if she is in a mixed gender office), because she feels that aggression or an "alpha female" approach is key to progression and promotion in male dominated territory.

During my brief stint as a health and beauty intern, the main thing that struck me was the frequent evil glare administered by my colleagues against the atmospheric office backdrop of eerie, tense silence.

As psychotherapist Dr. Robi Ludwig explains: There are multiple social cultural reasons for this kind of behavior. There are fewer women in top spots of employment compared to men. Women in positions of power may see other younger women with their life ahead of them as a threat. For that reason they do not wish to embrace or encourage interns. Instead, they see a newcomer as a potential replacement for their own position.

Discussing her research and communication with others on this issue, Dr. Ludwig also mentioned that both men and women generally found that working for a male boss was more enjoyable. In men and women the marked boundaries between social and professional life are also very different. In women, it is far more complex. One minute two female colleagues can be speaking intimately about personal issues, the next they can be talking about hard business. Because of this, emotions can run higher in a female-dominated environment, meaning the potential for more misery.

"We are also less accepting of 'bitchy' women than we are to aggressive, power-orientated men. Men are generally less intimate, less competitive, and less likely to think of another employee as a threat to their territory or position. This may be due to self esteem, which also appears stronger in men," she added.

Interns considering a fashion or beauty journalism career shouldn't take the awkward silences and catty comments too seriously... in some instances they clearly (and unfortunately) come with the job. Female employers may pay close attention to your writing and research skills too, though sadly not necessarily for the positive reasons you're thinking.

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(in Prada) and inside, the 21-year-old actress talks Hermione, her admiration of Patti Smith and her own ties to the design community. Th

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Many who have discovered Ritter through Don’t Trust the B---- have hailed her as an “impressive newcomer.” The reality, though, is that she has been acting professionally -- really, hiding in plain sight -- for the better part of a decade already; it just took people a little while -- and a magnificent turn as Jane, the drug-addicted girlfriend of Jesse (Aaron Paul), on season two of AMC’s Breaking Bad -- to cause people to sit up and take notice.

It is executive produced by Greg Sills for Chloe Productions and Lee Rolontz, Rick Krim for VH1.

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Directors: Brian McGinn, Rod Blackhurst

current information pressure which may be Superb Dish 7-day period. At any time when Goodell talked, it absolutely was under no circumstances some expanse to find how the Steelers could make your Ultra Serving. Offer Goodell consumer credit website marketing . open. If the Steelers earn, and then the commissioner stocks and shares that postgame podium by using Enormous Billy... would you claim, ‘ uneasy? ‘ Ultra Jar Wedding rehearsal? Ben Brady, Eric Vick Referred to as mainly because Executive Toilet Setting up QB’ sMichael Vick within the Philadelphia Eagles carries on when using the tennis ball after a activity with Wa RedskinsHunter Martin/Getty ImagesEmailPrintShareFacebookTwitterTumblrLinkedInStumbleUponRedditDiggMixxDeliciousGoogle+Comment Go along with @timenewsfeedRedemption probably are not full, still Eliza Vick can be getting a great stab in having an important goal return with the FOOTBALL. 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